陈超美，都柏林圣三一大学戏剧学博士（国家留学基金委资助），维也纳大学东亚研究所访问学者（A. J. Leventhal Scholarship），上海外国语大学英美文学硕士，曾获国际戏剧研究联盟（IFTR）“青年学者奖”（2023）。主要研究方向为当代中国剧场、跨文化戏剧、欧美戏剧理论、梨园戏、当代爱尔兰剧场、左翼戏剧等。论文、剧评及译作见刊于Performance Research, Contemporary Theatre Review, The Drama Review, Theatre Journal,《戏剧艺术》等；出版译著《昨夜的一千零一只羊》（合译，2020）、《现代世界女性史：1450年至今》（合译，2025）等。
v 论文 Articles
Chen, Chaomei. “Restaging Lao She’s Socialist Cosmopolitanism: Intercultural Dramaturgy in Meng Jinghui’s Teahouse (Chaguan) (2018-19)”, The Drama Review, 2025. forthcoming.[AHCI]（独作）
---. “An Octoroon by Abbey Theatreand Controversies over the Irish Times Theatre Awards 2023”, Contemporary Theatre Review. [AHCI] Interventions: “Special Issue on the afterlives of Boucicault’s The Octoroon”. 2025, forthcoming.（独作）(注：此特刊还将在爱尔兰文学博物馆[Museum of Literature Ireland]与爱尔兰剧作家Dion Boucicault 作品展览一同在线展出)
---. “Still Resisting Left Melancholy? Chinese New Leftist Theatre’s Inheritance and Resistance in Che Guevara (2000-2001)”, Performance Research28.5 (2023): 23-33. [AHCI]（独作）
---. “Restaging Feminist Modernity with the ‘Shackles’ of Traditional Chengshi Aesthetics in LiyuanxiYubei Ting (The Imperial Stele Pavilion)”, Platform: Journal of Theatre and Performing Arts 16 (2022): 78-94.（独作）
---. “The ‘Grass Stage’ Collective and Zhao Chuan’s Draft Theatre (草台班与赵川的草稿剧场)” (中英文).Ying Ming Theater 21 (2023): 28-36.（独作）
v 戏剧评论 Performance Reviews
Chen, Chaomei.“The President. by Thomas Bernhard. Gate Theatre Dublin”. Theatre Journal.76.4 (2024): 573-575. [AHCI]（独作）
---. “Abomination: A DUP Opera. dir. by Conor Mitchell, Abbey Theatre”. Theatre Journal74.4 (2022), 517-519. [AHCI]（独作）
---. “疫情底色下的隔离悲喜剧——评爱尔兰地标剧团的《快乐的日子》(Tragicomedy of Isolation under the Cloak of COVID-19 Pandemic: A Review of Beckett’s Happy Days by Irish Landmark Productions)” (中文). Ying Ming Theater 16 (2022): 37-41.（独作）
v 国际书章 Book Chapters
---. “Looking West to Chang’an by Lao She”, “WM (We) by Wang Peigong”, “Rubik’s Cube by Tao Jun”. In Rosenmeier, Christopher, and Rossella Ferrari, eds. Brill Guide to Chinese Literature, 1900-2000, Brill, 2026, forthcoming. (应维也纳大学Rossella Ferrari教授邀请撰写)（独作）
---. “An Interview with Zeng Jingping—the ‘Queen of Liyuanxi’and Head of FPLET”. in Eva Aymami-Rene, Anita Gonzalez, and Kimberly Jew, eds. in Women’s Innovations in Theatre, Dance, and Performance, Vol 4. Leaders, BloomsburyMethuen Drama, 2026, forthcoming.（独作）
v 书评 Book Reviews
---. “Liyuanxi: the Chinese ‘Pear Garden Theatre’, by Josh Stenberg (2023)”. Contemporary Theatre Review.34.2(2024): 212-213.(受邀撰写)[AHCI]（独作）
---. “Intercultural Aesthetics in Traditional Chinese Theatre: From 1978 to the Present. By Wei Feng (2020)”. Theatre Research International. 46.1 (2021): 93-94.(受邀撰写) [AHCI]（独作）
v 译著 Book-length Translations
玛丽娜·本杰明 (Marina Benjamin).《昨夜的一千零一只羊》(Insomnia), 杨世祥、陈超美（译）. 北京：中信出版社, 2020.
邦尼·史密斯 (Bonnie Smith).（著）《现代世界女性史：1450年至今》(Women in World History: 1450 to the Present), 杨世祥、陈超美（译）. 上海：上海教育出版社，2025.
蕾切尔·卡斯克 (Rachel Cusk).《余波》(Aftermath: on Marriage and Seperation), 杨世祥、陈超美(译). 北京：中信出版社, 2026. 待出版
v 译作 Shorter Translations
安德烈·莫斯克温(Andriej Moskwin)（作）陈超美（译）.“白俄罗斯戏剧的奠基人弗拉迪斯瓦夫·古卢博克” (Vladislav Golubok as a Founder of the Belarusian Theatre).《戏剧艺术》.no. 2 (2021): 1-13. [CSSCI]
Zhai Yueqin（作） CHEN Chaomei（译）. “On the Ecology of Avant-Garde Theatre in Shanghai in the 21st Century” (新世纪以来上海先锋戏剧生态刍议). Chinese Theatre Arts (《戏剧艺术》英文版), vol. 3 (2021): 18-26.
Chen, Chaomei (trans.). “《墙与窗》（节选）[Walls and Windows (Excerpts)],by Rosaleen McDonagh”.Trinity Journal of Literary Translation 11.2: Roads (2023): 59-60.